The CD scores of TRANSYLVANIA 6-5000 and KORGOTH OF BARBARIA, signed by Lee Holdridge!
Creature Features is hosting a Q&A and signing with Mr. Holdridge, scheduled for July 29th.
Please see our other listings for more autographed CDs available for pre-order.
Due to USPS price increases, International orders now ship via First Class mail. Please be aware that First Class orders regularly take 6-8 weeks to arrive. Feel free to contact us directly to arrange faster shipping.
Our system does not currently automatically combine shipping, but we’re happy to refund extra shipping charges upon mailing of the CDs.
CDs are tentatively scheduled to begin shipping shortly after the event. Depending on turnout and pre-order quantity, Mr. Holdridge may or may not be able to sign all pre-orders on the day of the event; we’ll post any delays and updates on this order page.
All orders subject to availability.
BUYSOUNDTRAX Records presents the original soundtrack to TRANSYLVANIA 6-5000, featuring music composed and conducted by Lee Holdridge for the 1985 horror comedy written and directed by Rudy De Luca (High Anxiety, Silent Movie, Caveman), starring Jeff Goldblum, Ed Begley, Jr., Geena Davis, Carol Kane, John Byner, Jeffrey Jones and Michael Richards. Also included is the composer’s music for the 2006 animated comedy television pilot, KORGOTH OF BARBARIA. Known mostly for his dramatic film music, these two projects show the composer walking the fine line between humor and action, playing straight to the broad comedic moments of the projects while also finding opportunities to underline their sillier sensibilities.
TRANSYLVANIA 6-5000 is a distinctly unfunny horror spoof from 1985 about a couple of tabloid reporters sent by their editor to modern day Transylvania to uncover the truth behind a reported Frankenstein sighting. While there, they encounter other classic horror film staples such as a wolf-man, a female vampire, a hunchback and an unraveling mummy. Each creature has a twist that makes them ultimately less monstrous than the local villagers have been led to believe. Recognizing that their film needed some help, the producers turned to composer Lee Holdridge for the musical duties. For the musical score, Holdridge chooses to play straight man to the film’s attempts at broad humor and also manages to add some clever asides with a variety of musical quotations from familiar composers such as Tchaikovsky, Prokofiev, Dvorak, Wienwiaski and Shostakovich. In addition, the composer pokes fun at the Glenn Miller standard, Pennsylvania 6-5000.
KORGOTH OF BARBARIA, created by Aaron Springer of DEXTER’S LABORATORY and SPONGEBOB SQUAREPANTS, was a half-hour animated comedy television pilot that aired on the Cartoon Network’s Adult Swim in June, 2006. Presented as straightforward as any other barbarian hero, KORGOTH was, in fact, a parody of the sword-and-sorcery genre, presenting the exploits of a Conan-esque hero noted for his bad temper, laziness and slovenly habits. The score is a fusion of trash/heavy metal guitars and broad symphonic adventure music, providing an edgy propulsion appropriate to the show’s satire while supporting its heroic fantasy conceptualization. Sadly, only the one episode aired and the show was dropped before production began on any further episodes.
Lee Holdridge was born in Port-au-Prince, Haiti in 1944. He spent his early years in Costa Rica, beginning music studies on the violin at the age of ten with Hugo Mariani, then the conductor of the National Symphony Orchestra of Costa Rica. Later, Holdridge moved to New York to continue his music studies and begin his professional career as a composer. Holdridge’s successes in New York came to the attention of Neil Diamond who brought Holdridge to Los Angeles to write arrangements for his forthcoming albums. A string of Gold and Platinum hits followed, which led to Diamond and Holdridge collaborating on the film score for Jonathan Livingston Seagull. Since that time, Holdridge has scored numerous film such as Splash, Big Business, Mr. Mom, Micki & Maude, 16 Days Of Glory, The Beastmaster, Sylvester, A Tigers’ Tale, El Pueblo Del Sol, Old Gringo and Pastime. His television work includes Moonlighting, Beauty and the Beast, the complete eight hour remake of East of Eden, The Tenth Man, Dreamer of Oz, Hallmark Hall Of Fame’s One Against the Wind and The Story Lady. Lee also began a very successful collaboration with Moriah Films, the film division of the Simon Wiesenthal Center, with the Academy Award winning documentary feature film The Long Way Home. In addition to his film career, Mr. Holdridge has had an extensive repertoire of concert works performed and recorded. He has also worked with many major recording artists having written, arranged and conducted for Placido Domingo, Barbra Streisand, Brian May of Queen, Stevie Wonder, Neil Diamond, John Denver, Neil Sedaka, Daniel Rodriguez, Al Jarreau, Dionne Warwick, Diana Ross, Natalie Cole, Jane Oliver and many others.
BUYSOUNDTRAX Records presents TRANSYLVANIA 6-5000. This is a limited edition release of 1000 units.
1. Main Title (2:30)
a. Journey To Transylvania
b. Happy Arrival*
2. Following The Wolfman 2:01
3. Trapping A Monster (2:00)
4. Draculette (1:03)
5. Madame Morovia (2:00)
(Violin Solo, Tonko Niniç)
6. Fight And Escape At The Lab (1:44)
7. The Wine Festival (4:25)
a. Dance And Chase
(Includes Excerpts Of
b. Frankenstein’s Arrival
c. Light The Torches
d. Face To Face
8. Transylvania 6-5000*† (2:30)
9. The Forest (1:54)
10. Old Paintings (0:53)
11. Jack Meets The Wolfman (0:38)
12. Transylvanian Chapel (1:34)
13. Lupi’s Daydream (1:44)
14. Sneaking Around (2:54)
15. Radu’s Speech (1:05)
16. Home Again* (1:31)
KORGOTH OF BARBARIA
17. Prologue & Korgoth of Barbaria /
Main Title (1:17)
18. Bar Fight / Tell me, Do You Know Of
The Wizard Specules? / The Quest Begins (3:31)
19. Specules Floating Castle /
Hairy Balls Of The Gods (3:28)
20. I’ve Dated Girls Uglier Than
You For Breakfast / Finale (2:28)
Total Time: 42:04
* – contains excerpt from “Pennsylvania 6-5000”
† – Performed on Synthesizers by Randy Waldman
with Frank Kapp on drums
Transcribed from the original Glenn Miller arrangement by Bradley Dechter